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6 mangas that changed the history of their publisher

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The manga industry can be a complicated business. The typical creation process starts like any other. An author writes; someone illustrates the story; a publisher distributes the story to eager audiences. But it’s not always that simple.

Some manga go through multiple publishers during their lifetime. The circumstances for this event vary. It could be that the company is going through a difficult time. Alternatively, it could be a matter of rights and who is willing to pay for them. The end result of both scenarios is that readers will have a harder time accessing their favorite manga.

6. Shaman King

Problemas de mangá do Shaman King

Here, the change of publisher did not occur midway through the run, but much later. The manga chronicles a boy's attempts to build his strength as a shaman. By competing against others in this field, he hopes to become the eponymous Shaman King. This progression is a solid foundation for any story. Because of this, the narrative ran from 1998 to 2004. During this period, the people at Shueisha handled the publication. They remained in charge of distribution in the following years.

In 2017, however, Kodansha acquired the rights to the property. The company then republished the manga in print and e-book form from 2018 to 2021. Incidentally, Kodansha's American division also took over distribution from Viz Media. In short, Shaman King saw a two-pronged acquisition.

5. Katabami To Ougon

Problemas de Katabami para Ougon Manga

It's complicated when multiple parties compete for a gold mine. Set during the California Gold Rush, Katabami To Ougon details the exploits of two Irish immigrants as they seek their slice of the pie. The Shueisha company distributed it through Ultra Jump magazine in 2019. Almost as soon as it began, however, the publisher's term ended.

Kodansha took over in 2021, taking over distribution after just six volumes. The folks here published the following chapters in print and on their digital service Comic Days. For the sake of consistency, they also published a reprint of the previous chapters. While this discontinued the Shueisha line, it conveniently brought all of the manga under one roof.

4. Paradise Kiss

História de bairro e questões de mangá Paradise Kiss

This entry may be an exaggeration. Paradise Kiss is a quaint story about a group of high school students specializing in the arts. Ai Yazawa wrote it and Shueisha published it on Tape magazine in 1995. The last issue was released in 1998. Normally that would have been the end, but no.

Yazawa soon built a sequel called kiss of paradise. Although it focuses on a different set of students, it takes place in the same universe as Paradise Kiss. This does not extend to the publisher, however. This time, Shodensha took ownership. The company managed it in Zipper fashion magazine from 1999 to 2003. Although Yazawa's subsequent works also changed publishers, they do not have the same connective tissue in their narratives.

3. Fruits Basket

Cesta de frutas e cesta de frutas, outro problema de mangá

For Fruits Basket, the change of publisher was exclusive to the West. Fruits Basket, A story about an orphan girl who helps a family with a zodiac curse, it had a long run in Japan from 1998 to 2006. Hakusensha published the episodes during that period. Starting in 2007, Tokyopop began bringing the manga to North America. This is where the paths diverge.

Although Hakusensha remained the sole Japanese publisher of Fruits Basket Tokyo Pop closed its North American facilities in 2011. The company eventually attempted a relaunch, but did so without Fruits Basket. Yen Press took the proverbial basket and ran with it. The new publisher licensed and redistributed the manga in multiple editions. These explorations began in 2016. While the Yen Press group retained publishing duties for the sequel, Fruits Basket Other It's safe to say they'll keep it for the foreseeable future.

2. Chobits

Problemas de mangá Chobits

This manga mirrors Fruits Basket in important ways. Both have consistent publication in their home country, with Kodansha responsible for Chobits during his tenure from 2000-2002 and continues to this day.

Furthermore, both works have an erratic publishing history in the West. Once again, Tokyo Pop had the reign of distribution in North America, but that would not last.

Their tenure expired in 2009, just one year before the property's 10th anniversary. DARK HORSE saw this opportunity and seized it. To celebrate the decade since the debut, this new company published an omnibus edition in 2010. After that, it would hold the rights for almost another ten years.

His term ended in 2019. It was at this point that Chobits returned home (so to speak). Kodansha, specifically the US branch, acquired the IP, parallel to the East. The folks here soon published another anniversary edition in 2020. In a strange way, the manga's journey was complete.

1. Tokyo Revengers

Problemas de mangá do Tokyo Revengers

In the case of Tokyo Revengers The change of publisher goes hand in hand with the format. Tokyo Revengers stars a homeless man who inadvertently travels back in time. He encounters his deceased girlfriend and decides to take this chance to prevent her tragic death. The well-known Kodansha published the work in Japan from 2017 to 2022 as a direct-to-video release. Shonen Magazine. It's the story's journey to the West, where things get confusing.

International publishing is divided into two. Kodansha's US division distributed a digital edition in 2018. In 2022, however, an omnibus version debuted in print. Leading this effort was Seven Seas Entertainment. One might think this heralded a change, but it did not. Kodansha still handled the digital form of not only the original work, but also the spin-offs. Seven Seas has a relatively small stake.