the anime series Uma Musume: Pretty Derby Known for its high-quality productions and its great popularity worldwide, it is facing a new controversy from one of its production companies, since a Japanese animator of this series has publicly denounced the abusive working conditions and low wages that prevail in some of these companies. Through his account Twitter/XThe animator shared his personal experience of working with this production company and spoke about labor exploitation in this sector of Japanese animators in general terms based on his own experience.

Animator criticizes wages and working conditions at production company Uma Musume

In recent publications in Twitter/Xfrom the Japanese animator @sengaku_0 expressed his dissatisfaction with the working conditions offered by a production company Uma Musume. This anime series, based on a popular mobile game franchise that combines horse racing elements with waifus, has caught the attention of fans and animators since its debut. The first season premiered in 2021 and quickly became a hit, generating a huge demand for quality content for its sequels.

However, @sengaku_0 revealed that the production company in question has so far only offered a 500 yen increase per cut for action scenes, despite negotiations. The animator described this rate as unfair, considering the effort and complexity that action scenes require compared to simpler cuts, and also shared his experience with another company that refused to pay him, claiming that labor laws did not apply to independent workers, leaving him in a vulnerable position without compensation.

The animator of Uma Musume He also mentioned that the initial offer he received for the cut was 2,500 yen, an amount he considers abnormally low for the work required. In these positions, the worker expressed surprise and disappointment at being faced with such rates in an industry that is often known for its demanding and competitive labor practices.

In a publication @sengaku_0 He stated that he normally avoids commenting on internal issues within the industry, however, given what was happening to him, he felt it necessary to alert other animators about these unfair labor practices to prevent others from facing similar situations. His posts about the production company Uma Musume It comes as a public outcry that highlights the persistent hardships faced by independent animators in Japan, including a lack of labor protections and the need for greater regulation to ensure fair conditions.

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