Otaku Culture

Not all authors are happy with doujinshi

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In Japan, the creation of derivative works or “doujinshi” has been a common and popular practice, especially at events such as the Comic Market (Comiket). However, behind this apparently harmless culture, there is a deep discomfort among certain mangakas, who see in these works a problem that goes beyond simple homage.

Doujinshi
©Y.POCHI/INDEPENDENT PUBLICATION

Although many mangakas are tolerant of the creation of doujinshi based on their works, there are a considerable number of authors who do not view this practice favorably. According to a recent report by Daily Shincho, an anonymous manga artist has revealed his dislike for doujinshi, especially those that drastically change the personality of their characters or feature them in inappropriate situations, such as adult content.

This author, identified as “Author A” so as not to reveal his identity, expressed his annoyance: «Clearly, I do not like doujinshi. I believe that the unauthorized creation of adult doujinshi with my characters is a violation of my moral rights as an author.». This feeling reflects the internal conflict of many creators who, although they understand that these fans do this out of admiration, feel that their characters are exploited and distorted without their consent.

The problem is not limited to just character modification. “Author A” also criticized the fact that many doujinshi creators make considerable profits without the original author receiving any compensation. «It's unacceptable that some doujinshi sell so much and I don't see a single yen of those profits. Can this really be considered fan activity?», he asked, highlighting how some doujinshi creators have taken their work beyond sales events, distributing it in specialized stores or even in digital format.

Even more worrying is the recent increase in the quality and quantity of doujinshi-derived products, such as acrylics, keychains, pillows, and even blankets, that are created without the license or permission of the original author. “Author A” noted that while in the past these products were of low quality and did not compete with official products, today they reach levels that rival or even surpass licensed products, which complicates the situation even further.

Of course, the issue of doujinshi and derivative works is a complex issue that needs to be discussed more openly. While some manga artists, especially from the younger generations, see doujinshi as a form of promotion or even a scouting opportunity, others, like “Author A”, believe that the original work and the rights of the creators should be respected.

In a world where technological advances and new forms of content creation and distribution are being generated, it is crucial that clear and fair boundaries are established that protect both original creators and fans who wish to pay homage to their favorite works. With the growing debate over copyright, generative AI, and unauthorized commercialization, we are likely to see more discussions on this topic in the near future.

Source: Shincho Diary